Images of Akzidenz Grotesk, politeness of Gabriel Perdomo Motta: i, ii, iii.
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PDF file put together by thé jury: Stephen CoIes, Jan Middendorp, Veronika Elsner, Roger Dark, Ralf Herrmann, CIaudia Guminski (FontShop) ánd Bernard Schmidt-Fridérichs. These include the many variations of it át Berthold (Akzidenz Grotésk, AG Reserve, AG Book Old Face, Akzidenz Grotesk Next, and so on), typefaces like the Linotype clone, Basic Business, and some fonts that are usually more afield. The original sans typeface Akzidénz-Grotesk, the nearly all influential grotesque, had been first released by the Berthold type foundry in 1896 (as Accidenz-Grotesk ). Quoting a Berthold push discharge: The design originates from Royal Grotesk lighting by Ferdinand Theinhardt who furthermore supplied the normal, medium and strong weights. In Bertholds specimen booklet (Schriftprobe) amount 444 launched in Dec of 1957, Akzidenz-Grotesk mager (lighting) has been referenced as RoyaI-Grotesk in parénthesis. Berthold Akzidenz Grotesk Be Professional Background AndKarl Gerstner stated of Akzidenz-Grotesk, It can be the function of confidential typecutters: craftsmen, experts, whose professional background and encounter designed they had been familiar with the finést subtleties and concepts, and not really simply those of Grotesque. They offered Akzidenz-Grotesk the greatest accolade a typeface can have: a useful, formal rightness, transcending the whims of style. Erik Spiekermann on the origins: Accidenz (sic) Grotesk has been obtained by Berthold in Berlin when they purchased another foundry, PppIbaum in Vienna. That was 1896 or 1898, depending whether one particular will take the date of the selling or the discharge of AG. The unique weight had been quite lighting, and Berthold kept adding dumbbells, some of them from various other typefaces, acquired from other foundries. Every foundry got a edition of that type of face, more often than not obtainable in a several sizes only. Berthold Akzidenz Grotesk Be Series Remained QuiteThe initial series remained quite varied, individual weight loads showing not very much resemblance but name. That just transformed when they cut (Im speaking foundry type, with some sizes and weights also available on Intertype slug casters) Series 57, and after that Series 58, named for the decades of release. Berthold Akzidenz Grotesk Be Movie Director AtThese acquired some dimensions (but not really all) recut under the direction of Gnter Gérhard Lange, who was their (freelance) creative movie director at the time. Throughout the decades, Berthold provides expanded this extremely popular and flexible family. AG ExtraBold (1966) and AG Super (1968) had been created by Guenter Gérhard Lange and are usually excellent options for headlines. Guenter Gerhard Lange included more dumbbells for Berthold like Top Italic (2001) and ExtraBold Italic (2001). In 2006, Berthold very first launched Akzidenz-Grotesk in OpenType. In 2007, Berthold announces the release of Akzidenz-Grotesk Professional with Cyrillic and Ancient greek language assistance for all 30 fonts in the collection as nicely as vocabulary assistance for Main European, Baltic and Turkish. Akzidenz-Grotesk Professional is available in CFF PostScript flavoured OpenType. Akzidenz-Grotesk Probe Nr. H. Berthold AG) is definitely a specimen reserve. Ulrich Stiehl dociuménts the Linotype clones from 1958. In 1992, H. Berthold produced 22 PostScript fonts of Akzidenz Grotesk, shown here.
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